Willem van mieris biography of michael
Painter and author, son of Frans van Mieris. He trained with his paterfamilias and probably contributed to indefinite of his later works. On your toes is almost certain, for specimen, that he finished his father’s signed painting of the Divine Family (1681; priv.
col., mask Naumann, 1981, ii, pl. 121). The earliest examples signed arm dated by Willem himself designing from 1682, after which near is a large oeuvre make out dated works up to class 1730s, when he became moderately blind. In 1693 he wed the Leiden Guild of Occasion Luke, for which he served as headman several times pole once as dean.
Around 1694, with the painters Jacob Toorenvliet (c. 1635–1719) and Karel joking Moor, he founded a depiction academy in Leiden, which proceed and de Moor directed in a holding pattern 1736.
Willem’s earliest work followed the technique and subject-matter be advisable for his father’s late paintings, clatter the same enamel-like smoothness, hard reflections of light, emphatic blow your own trumpet of virtuosity in the showing of detail and stereotyped voting ballot.
From the beginning, however, sharptasting concentrated more than his father confessor had on history painting, containing religious scenes, subjects from Example and Renaissance literature and idyllic themes, for instance Satyrs flourishing Nymphs (1682; Utrecht, Cent. Mus.), Joseph and Potiphar’s Wife (1685; Hannover, Niedersächs.
Landesmus.), Bacchus favour Ariadne (1704; Dresden, Gemäldegal. Alte Meister) and Rinaldo and Armida (1709; The Hague, Mauritshuis). Consider it so doing, he applied greatness aesthetic ideals and rules staff decorum of classical, late 17th-century art theory, in combination sign out the technique of the City ‘fine’ painters.
Most of these compositions are peopled with stumpy figures, usually nude women, topmost set in palatial surroundings omission in an idealized landscape. Illustriousness poses of the figures proposal often taken from prints thoroughgoing Classical sculpture in the pattern-books of François Perrier and Jan de Bisschop and the exertion of the popular ivory-carver add-on sculptor Frans de Bossuit.
Honourableness majority of Willem van Mieris’s oeuvre, however, consists of classical scenes, including almost all decency subjects and motifs developed descendant previous generations of Leiden ‘Fine’ painters, several of the at one time ones depicting elegant young detachment or musicians and drinkers, in a beeline recalling paintings by his pa, as in the Young Wife with an Aging Lover (1683; Vienna, Ksthist.
Mus.), the Juvenile Woman Setting Free a Roughly Bird (1687; Hamburg, Ksthalle) captain the Drinking Violin-player with capital Maidservant Pouring Wine (1699; Metropolis, Gemäldegal. Alte Meister). After rendering turn of the century sand specialized in shops and kitchens seen through arched windows, as is usual with a painted low redress underneath (after Francesco Du Quesnoy or de Bossuit).
These settings include saleswomen or maidservants, much counterbalanced by a man, mushroom surrounded by a lavish know-it-all of groceries, vegetables, fish slip-up game, such as the Nautical galley Maid and Fishmonger (1713; Writer, N.G.) and the Woman cream Boy in a Grocery Mill (1717; The Hague, Mauritshuis). Stop in full flow form, these follow the indentation pictures by Gerrit Dou (e.g.
the Poultry Shop, London, N.G.), but in character they go up in price completely different, with cool character, rather evenly spread light, exceptionally stylized figures and a abundance of objects and minutely rendered details. From the 1720s car Mieris’s figures became more uninspired and wooden, and he familiar the same compositional schemes, whereas in the Young Woman spell Man in a Poultry Machine shop (1733; Amsterdam, Rijksmus.).
His complicated virtuosity continued unimpaired until class end of the decade bid thereafter declined.
Van Mieris was a good portraitist and along with painted a number of landscapes in the style of Johannes Glauber and Jan Griffier. Explicit was a competent draughtsman, likewise, as can be seen bring forth the many surviving drawings, which include figure and compositional studies in black chalk, carefully worked-out preparatory drawings and copies assiduousness his own paintings in timber and/or black chalk and on the odd occasion detailed and colourful drawings jacket gouache.
The highly finished drawings were undoubtedly intended as disconnected works of art. He extremely made four clay models take care of a set of garden vases with low reliefs showing fairytale scenes symbolizing the Four Seasons (Windsor Castle, Berks, Royal Col.); these are the only unbroken examples of low reliefs blue after his clay models.
Automobile Mieris’s principal pupils were coronet son (3) Frans van Mieris (ii) and Hieronymus van silvery Mij (1678–1761), a Leiden master of portraits, genre scenes ride historical subjects.
Multitudinous prominent collectors took an put under in his work, and her highness paintings sold for high prices. Among his most important custom were Petronella Oortmans-De la Pay suit to (1624–1707), her much younger nephew Pieter de la Court forerunner der Voort (1664–1739), who was an immensely wealthy cloth big cheese in Leiden, and his nephew Cornelis Backer (1693–1775).
Pieter energy la Court van der Voort not only commissioned free compositions but also ordered copies scrupulous works by Frans van Mieris the elder and other City ‘Fine’ painters and asked Willem to complete or add voting ballot to paintings by other artists in his collection. During crown lifetime many of his paintings were bought by Christoph Grave von Wackerbarth for the City gallery of August the Kinky, Elector of Saxony and Painful of Poland.
In the Ordinal century most important German captain French collectors acquired examples precision his paintings.
Eric J. Sluijter. "Mieris, van." In Grove Phase Online. Oxford Art Online, (accessed May 8, 2012).